Either 21 Read this extract from The People Before (by Maurice Shadbolt), and then answer the question that follows it: He had a police party out, a health officer too. They scoured the hills, and most of the caves they could find. They discovered no trace of a burial, nor did they find anything in the caves. At one stage someone foolishly suggested we might have imagined it all. So my father produced the launchman and people from the township as witnesses to the fact that an old Maori, dying, had actually been brought to our farm. That convinced them. But it didn't take them anywhere near finding the body. They traced the remnants of the tribe, living up the coast, and found that indeed an old man of the tribe was missing. No one denied that there had been a visit to our farm. But they maintained that they knew nothing about a body. The old man, they said, had just wandered off into the bush; they hadn't found him again. He might, they added, even still be alive. Just to be on the safe side, in case there was any truth in their story, the police put the old man on the missing persons register, for all the good that might have done. But we knew. We knew every night we looked up at the hills that he was there, somewhere. So he was still alive, in a way. Certainly it was a long time before he let us alone. And by then my father had lost all taste for the farm. It seemed the land itself had heaped some final indignity upon him, made a fool of him. He never talked again, anyway, about running sheep on the hills. When butter prices rose and land values improved, a year or two afterwards, he had no hesitation in selling out. We shifted into another part of the country entirely, for a year or two, and then into another. Finally we found ourselves milking a small herd for town supply, not far from the city. We're still on that farm, though there's talk of the place being purchased soon for a city sub-division. We think we might sell, but we'll face the issue when it arises. Now and then Jim comes to see us, smart in a city suit, a lecturer at the university. My father always found it difficult to talk to Jim, and very often now he goes off to bed and leaves us to it. One thing I must say about Jim: he has no objection to helping with the milking. He insists that he enjoys it; perhaps he does. It's all flatland round our present farm, with one farm much like another, green grass and square farmhouses and pine shelter belts, and it's not exactly the place to sit out on a summer evening and watch shadows gathering on the hills. Because there aren't hills within sight; or shadows either, for that matter. It's all very tame and quiet, apart from cars speeding on the highway. I get on reasonably well with Jim. We read much the same books, have much the same opinions on a great many subjects. The city hasn't made a great deal of difference to him. We're both married, with young families. We also have something else in common: we were both in the war, fighting in the desert. One evening after milking, when we stood smoking and yarning in the cool, I remembered something and decided I might put a question to Jim. 'You know,' I began, 'they say it's best, when you're under fire in the war, to fix your mind on something remote. So you won't be afraid. I remember Dad telling me that. I used to try. But it never seemed any good. I couldn't think of anything. I was still as scared as hell.' 'I was too. Who wasn't?' 'But, I mean, did you ever think of anything?' 'Funny thing,' he said. 'Now I come to think of it, I did. I thought of the old place - you know, the old place by the river. Where,' he added, and his face puckered into a grin, 'where they buried that old Maori. And where I found those greenstones. I've still got it at home, you know, up on the mantelpiece. I seem to remember trying to give it away once, to those Maoris. Now I'm glad I didn't. It's my only souvenir from there, the only thing that makes that place still live for me.' He paused. ‘Well, anyway, that's what I thought about. That old place of ours.' I had a sharp pain. I felt the dismay of a long-distance runner who, coasting confidently to victory, imagining himself well ahead of the field, finds himself overtaken and the tape snapped at the very moment he leans forward to breast it. For one black moment it seemed I had been robbed of something which was rightfully mine. I don't think I'll ever forgive him. [from Chapter 2]

1. Explore the ways in which Shadbolt makes this such a satisfying ending to the story.[25]