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O-LevelLiterature in EnglishDrama2010/22 · May/June 2015 · Q1125 Marks

OSCAR WILDE: The Importance of Being Earnest Remember to support your ideas with details from the text. Read this passage, and then answer the question that follows it: Algernon: [raising his hat] You are my little cousin Cecily, I'm sure. Cecily: You are under some strange mistake. I am not little. In fact, I believe I am more than usually tall for my age. [ALGERNON is rather taken aback.] But I am your cousin Cecily. You, I see from your card, are Uncle Jack's brother, my cousin Ernest, my wicked cousin Ernest. Algernon: Oh! I am not really wicked at all, cousin Cecily. You mustn't think that I am wicked. If you are not, then you have certainly been deceiving us all in a very inexcusable manner. I hope you have not been leading a double life, pretending to be wicked and being really good all the time. That would be hypocrisy. Algernon: [looks at her in amazement] Oh! Of course I have been rather reckless. Cecily: I am glad to hear it. Algernon: In fact, now you mention the subject, I have been very bad in my own small way. Cecily: I don't think you should be so proud of that, though I am sure it must have been very pleasant. Algernon: It is much pleasanter being here with you. Cecily: I can't understand how you are here at all. Uncle Jack won't be back till Monday afternoon. Algernon: That is a great disappointment. I am obliged to go up by the first train on Monday morning. I have a business appointment that I am anxious....to miss! Cecily: Couldn't you miss it anywhere but in London? Algernon: No: the appointment is in London. Cecily: Well, I know, of course, how important it is not to keep a business engagement, if one wants to retain any sense of the beauty of life, but I still think you had better wait till Uncle Jack arrives. I know he wants to speak to you about your emigrating. Algernon: About my what? Cecily: Your emigrating. He has gone up to buy your outfit. Algernon: I certainly wouldn't let Jack buy my outfit. He has no taste in neckties at all. Cecily: I don't think you will require neckties. Uncle Jack is sending you to Australia. Algernon: Australia! I'd sooner die. Cecily: Well, he said at dinner on Wednesday night, that you would have to choose between this world, the next world, and Australia. Algernon: Oh, well! The accounts I have received of Australia and the next world are not particularly encouraging. This world is good enough for me, cousin Cecily. Cecily: Yes, but are you good enough for it? Algernon: I'm afraid I'm not that. That is why I want you to reform me. You might make that your mission, if you don't mind, cousin Cecily. Cecily: I'm afraid I've no time, this afternoon. Algernon: Well, would you mind my reforming myself this afternoon? Cecily: It is rather Quixotic of you. But I think you should try. Algernon: I will. I feel better already. Cecily: You are looking a little worse. Algernon: That is because I am hungry. Cecily: How thoughtless of me. I should have remembered that when one is going to lead an entirely new life, one requires regular and wholesome meals. Won't you come in? Algernon: Thank you. Might I have a buttonhole first? I have never any appetite unless I have a buttonhole first. Cecily: A Maréchal Niel? [Picks up scissors.] Algernon: No, I'd sooner have a pink rose. Cecily: Why? [Cuts a flower.] Algernon: Because you are like a pink rose, cousin Cecily. Cecily: I don't think it can be right for you to talk to me like that. Miss Prism never says such things to me. Algernon: Then Miss Prism is a short-sighted old lady. [CECILY puts the rose in his buttonhole.] You are the prettiest girl I ever saw. Cecily: Miss Prism says that all good looks are a snare. Algernon: They are a snare that every sensible man would like to be caught in. Cecily: Oh, I don't think I would care to catch a sensible man. I shouldn't know what to talk to him about. [from Act 2]

  1. How does Wilde make this first meeting between Algernon and Cecily so entertaining?[25]

Mark scheme

Marking points from the official mark scheme (May/June 2015). The mark or mark type is shown in brackets.

  1. [23-25] Band 1: Answers in this band have all the qualities of Band 2 work, with further insight, sensitivity, individuality and flair. They show sustained engagement with both text and task.
  2. [20-22] Band 2: Sustains a perceptive, convincing and relevant personal response. Shows a clear critical understanding of the text. Responds sensitively and in detail to the way the writer achieves her/his effects. Integrates much well-selected reference to the text.
  3. [17-19] Band 3: Makes a well-developed, detailed and relevant personal response. Shows a clear understanding of the text and some of its deeper implications. Makes a developed response to the way the writer achieves her/his effects. Supports with careful and relevant reference to the text.
  4. [14-16] Band 4: Makes a reasonably developed relevant personal response. Shows understanding of the text and some of its deeper implications. Makes some response to the way the writer uses language. Shows some thoroughness in the use of supporting evidence from the text.
  5. [11-13] Band 5: Begins to develop a relevant personal response. Shows some understanding of meaning. Makes a little reference to the language of the text. Uses some supporting textual detail.
  6. [8-10] Band 6: Attempts to communicate a basic personal response to the task. Makes some relevant comments. Shows a basic understanding of surface meaning of the text. Makes a little supporting reference to the text.
  7. [5-7] Band 7: Some evidence of simple personal response. Makes a few straightforward comments. Shows a few signs of understanding the surface meaning of the text. Makes a little reference to the text.
  8. [2-4] Band 8: Limited attempt to respond. Shows some limited understanding of simple/literal meaning.
  9. [0-1] Below Band 8: No answer / Insufficient to meet the criteria for Band 8.

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About this question

Topic
Drama, O-Level Literature in English (syllabus 2010). Structured question, 25 marks.
Source
O-Level Literature in English, May/June 2015 Paper 2 Variant 2, question 11.

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