Read this extract, and then answer the question that follows it: Far on a hillside roamed the lady responsible for Sampath's nutrition, a tiny figure on the crest of the university research forest, disappearing and reappearing among the trees, emerging at the point where the forest bordered the fields so as to check the cane traps she had set for pheasants and other wildfowl. They lived in the forest but ate from the grain crops and were as fat and delicious as wildfowl could be. When she spotted one in the trap, she pounced upon it and, without flinching, wrung its neck with a grip of iron. The profusion of greenery and space exhilarated her. And while it reduced her son to a happy stupor, it incited her to a frenzy of exploration. Making her way into the deepest parts of the woods, losing herself amidst the bamboo groves, the sal forests, the towering moss-laden trees, she climbed higher and higher, taking paths made by goats foraging about the steepest slopes, barely wide enough for her small feet. 'Beware of the wild cats,' said the goat herders she met, surprised at seeing this delicate-looking town woman out alone in the forest. ‘Beware of the snakes, the scorpions and leeches.' But she didn't care. She waded out into the muddy ponds to collect lotus stems, raided bird's nests, prised open tightly sealed pods, nibbled at the grasses and buds, dug at roots, shook the fruit from the trees and returned home with her hair wild, her muddy hands full of flowers, her mouth blue and red from all she had sampled. The corners of her sari were tied into knots containing ginger lilies and rain-fever mushrooms, samples of seeds and bits of bark. Sometimes she brought back a partridge or a jungle quail, strung on to a stick and carried over her shoulder. She returned via the steep path that led to the back of the watchman's shed so as to avoid the visitors and the talk which had ceased to interest her. In the tin-covered porch Mr Chawla had constructed at the rear of the house she had set up her outdoor kitchen, spilling over into a grassy patch of ground. Here rows of pickle jars matured in the sun like an army balanced upon the stone wall; roots lay, tortured and contorted, upon a cot as they dried; and tiny wild fruit, scorned by all but the birds, lay cut open, displaying purple-stained hearts. Ginger was buried underground so as to keep it fresh; lemon and pumpkin dried on the roof; all manner of things fermented in tightly sealed tins; chilli peppers and curry leaves hung from the branches of a tree, and so did buffalo curd, dripping from a cloth on its way to becoming paneer. Newly strong with muscles, wiry and tough despite her slenderness, Kulfi sliced and pounded, ground and smashed, cut and chopped in a chaos of ingredients and dishes. ‘Cumin, quail, mustard seeds, pomelo rind,' she muttered as she cooked. ‘Fennel, coriander, sour mango. Pandanus flour, lichen and perfumed kewra. Colocassia leaves, custard apple, winter melon, bitter gourd. Khas root, sandalwood, ash gourd, fenugreek greens. Snake-gourd, banana flowers, spider leaf, lotus root ...' She was producing meals so intricate, they were cooked sometimes with a hundred ingredients, balanced precariously within a complicated and delicate mesh of spices – marvellous triumphs of the complex and delicate art of seasoning. A single grain of one thing, a bud of another, a moist fingertip dipped lightly into a small vial and then into the bubbling pot; a thimble full, a matchbox full, a coconut shell full of dark crimson and deep violet, of dusty yellow spice, the entire concoction simmered sometimes for a day or two on coals that emitted only a glimmer of faint heat or that roared like a furnace as she fanned them with a palm leaf. The meats were beaten to silk, so spiced and fragrant they clouded the senses; the sauces were full of strange hints and dark undercurrents, leaving you on firm ground one moment, dragging you under the next. There were dishes with an aftertaste that exploded upon you and left you gasping a whole half-hour after you'd eaten them. Some that were delicate, with a haunting flavour that teased like the memory of something you'd once known but could no longer put your finger on. Explore the ways in which Desai makes this surprising description of Kulfi so vividly dramatic.

1. (a)Explore the ways in which Desai makes this surprising description of Kulfi so vividly dramatic.[25]